PHOEBE SINCLAIR “Whiplash”

Emerging from Brisbane via the Gold Coast, Phoebe Sinclair is the latest voice on the Australian pop landscape.

The self-confessed emotional wreck, turned sad-banger songstress, is making an impact with her combination of soulful vocals and intriguing lyricism.

“Whiplash” was written with long-time writing partner Lara Frew & Brisbane’s Jeremy Neale (from Velociraptor) and discusses the gruelling nature of doing all you can to keep a relationship going only to be met with lukewarm responses.

‘Have you ever had a relationship that involved someone telling you, “you are the only person who can fix what’s wrong”, only to then in fact be an isolated outlet for them to take their issues out on? I have, and it sucked. I’d go out of my way to do whatever I could to help this person, believing that I really was the only person that could help. Any rational outsider can see how one-sided and irredeemable this relationship is but when you’re in the thick of it it’s easy to excuse irrational behaviour in exchange for feeling special. Much like Whiplash, it knocks you about and the side-effects will likely last longer than anticipated.’

Her live show is backed by a 4-piece all girl ensemble and Sinclair oozes confidence and power, her electro anthems have an inescapable energy and an empowering attitude, reminiscent of pop powerhouses Robinson, Wafia & Ellie Goulding.

Influenced by kick-ass women in music, Sinclair co-founded the songwriting duo Middleman alongside Lara Frew. Together the pair has written with artists in the US, Canada, Sweden, France, Lebanon, New Zealand, Germany, Netherlands, Peru, UK and at home in Australia. Having spent the past couple years writing for other artists, Sinclair’s own music bites with a newfound understanding of herself, what she stands for, and how her experiences can connect to listeners.

Selling out her early 2020 show at Brisbane’s Milk Factory, Sinclair’s performances are an experience not to be missed. Performing at BIGSOUND 2018’s Gold Coast showcase, supporting artist for Melbourne’s dreamy sad-pop artist Elizabeth, a sold-out 2020 show with Sofar Sounds, and at a string of sets at high calibre festivals including Surfers Paradise Live, Brisbane Festival &

*Bleach Festival, “Sinclair has all the markers to be Australia’s next big breakout artist.”

Paul Lyons, Anthony Poteat – Together We Must (MMD) Soulful House – House

MMD100 is our Jubilee Edition with the strong Message! Together We Must – We Must Live and Love Together! Brothers and Sisters Spread Love across the Land! Written by Paul Lyons and Anthony Poteat. iTunes, Beatport, Juno, Traxsource etc, Traxsource Pre-Order 06 Nov 2020. Official Release date – 18 Dec 2020

Paul Lyons, Anthony Poteat – Together We Must (Original Mix – 6A – 122 House-Soulful House

Paul Lyons, Anthony Poteat – Together We Must (BKR Marivent Edit – 6A – 122 Soulful House

Paul Lyons, Anthony Poteat – Together We Must (BKR Marivent Radio Edit – 6A – 122 Soulful House

Paul Lyons, Anthony Poteat – Together We Must (BKR Radio Edit) – 6A – 122 Soulful House

Paul Lyons, Anthony Poteat – Together We Must (Paul’s Organ Dub – 6A – 122 House

Paul Lyons, Anthony Poteat – Together We Must (Paul’s Percussion Dub – 6A – 122 House

COLIN WYLIE – SIX MONTHS IN A LEAKY BOAT

Colin Wylie is known for his work with Blinker the Star, a Canadian indie band that signed with A&M (USA) and then DreamWorks barely out of their teens. Then came the ‘Hinterlandband’ project, whose compositions have been placed in programming for Muchmusic (CAN), NBC (USA), CTV (CAN), MTV (US & UK), Fox (USA), CBC (CAN), The CW Network (USA) and PBS (USA).

What inspired you to record it?

‘The recentsix months in quarantine‘ and ‘Six Months in a Leaky Boatparallel, triggered the idea to finally properly treat & release this recording. Adrian Popovich (Sam Roberts Band) completed the mixing and grammy award winning Phil Bova (Bahamas), the mastering. The song was performed & recorded so well it needed to be properly shared.

This recording is the last recorded performance I had with my friend & bass player Marc Leblanc.

He passed away in 2016 unexpectedly. It is hoped that this serves to commemorate his larger-than-life existence on this planet, and be of consolation to his son Dylan.

Do you have anything you’d like to say about this track?

‘I first heard the original Split Endz version while living in Montreal on the mighty CHOM FM. It made an immediate impression on me and I filed it away in the ‘songs I’d love to cover’ compartment. Time later, we began playing it live and audiences loved hearing it. I decided to commit it to tape.

www.colinwylie.com